This Throne Room is the largest room of the building, flanked by nine small rooms, one of which was reserved for the Sultan
There are four main gates in the wall, two on the north side, -the Gate of Arms and the Gate of the Arrabal, and two on the south side,the Gate of Justice and the Gate of the Seven Floors.
It was the residential area of the royal guard in charge of the security of the palatial city
la Torre de la Vela, nombrada en época nazarí torre Mayor y durante el siglo XVI puerta del Sol ya que se refleja en la fachada de mediodía actuando como un reloj de sol para la ciudad.
The decision to build the Palace in the Alhambra symbolized the triumph of Christianity over Islam.
The tour of the Alhambra also includes a visit to the museum, with its collection of Nasrid Art, which was found in archaeological excavations or restoration works in the Monument.
With Latin-cross floor design and side chapels, outstanding is its Baroque altarpiece framed by large Solomon-style columns from the 17th century
Drawings, paintings, musical scores and letters of the Grenadian composer, Ángel Barrios, form this collection
Two round fountains with water flowing into a pool in the centre of the court are its main feature.
Counsel of Ministers meetings and worship took place in these rooms.
The beautiful woodwork ceiling gives its name to this room, whose original decoration is attributed to Muhammad V.
The Sultan received his vassals at the foot of the Façade of Comares, which separated the administrative and familiar sectors inside the Palace.
The Main Canal acts as a mirror that reflects the building structures and breaks the structural horizontal lines of the court.
There are two possible origins of its name: its cylindrical vault or the Arab term “al-baraka”, which is repeatedly inscribed on its walls.
The baths being essential Moorish urban elements, it is easy to understand why each palace in the Alhambra has its own baths.
One of the rooms in the Palace of the Lions was used as a hall or vestibule owing to its proximity to the main entrance of the Palace
The Court of the Lions – Fountain – Water Jet . Alhambra of Granada
A spectacular vault decorated with eight-point star-shaped stalactites that open out on eight elephant-like trunks is the most remarkable ornamental element of the hall.
Five alcoves that flank a large hall were used for receptions and celebrations. Their domed ceilings are its most remarkable feature.
It got its name from the ajimeces, wooden balconies with latticework that are found in this room.
The vault, which has a central star motif made up of stalactites, is the masterpiece of the second main chamber of the Palace of the Lions.
The delicate tile decoration and the well-proportioned Nasrid architectural style make this one of most beautiful of the Alhambra Palaces
His visit to the Alhambra impressed him so much that he decided to build an “imperial suite” near the Moorish palaces.
An open gallery overlooking the Tower of Abu-I-Hayyay that breaks with the conventional wall patterns.
A balcony occupies the upper part of the south loft serving as a corridor between the rooms and protecting them
Though structurally similar to the Court of the Grated Window, it is more cloister-like. It bears the name of its balcony.
A large central pond faces the arched portico behind which stands the Tower of the Ladies
Rawda means cemetery. It was here, beside the Palace of the Lions, where the royal family interred its deceased family members
Outstanding is the long pool in the central courtyard with a lush garden, on the sides of which are the ruins of some rooms.
Several towers can be found along the route from the Partal Gardens to the Generalife and the Upper Alhambra.
Andalusian and Islamic, the Alhambra was conceived as a city built for the royal court.
The Tower of Comares, at 45 m the highest in the Alhambra, also houses the largest room of the structure: the Hall of Comares, or Chamber of the Ambassadors, also known as the Throne Room.
Nine small rooms were opened within its walls, each being similar to the other, except for the central room opposite the entrance, which was luxuriously decorated and reserved for the Sultan.
The floor of the room, renovated on many occasions, still conserves in the central part many original pieces made of golden tiles. It probably also had marble slabs.
The walls of the Hall are completely covered with decoration. The lower part conserves part of the original tiled socle, above which a rich plasterwork combines geometrical patterns with ataurique motifs (plasterwork or stucco decorated with leaf and flower motifs) and epigraphic elements. Originally it was painted with bright colours that formed tapestry-like relief patterns.
The ceiling, with its symbolic layout, legitimated the power of the Sultan, sitting on his throne and presiding over the space of the room. The epigraphy of the Hall reproduces holy texts of a clearly political and religious intention, emphasizing the Divine power. Here are three illustrative examples: “Eternity is an attribute of God”; “Depart in goodness since it is God who helps”; “Highness, Glory, Eternity, Empire and Power only belong to God”.